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Ticket Registration is Encouraged

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Advance registration for a time slot helps museum staff anticipate total occupancy for academic tours, capture attendance data for grant and university reports and provide contract tracing (if necessary). Thank you for your cooperation. For assistance, please call 334.844.1484 or email our visitor services associates.

Tuesday through Sunday, there are three (3) two-hour windows to reserve online during our regular hours of operation, with four (4) ranges on Thursdays until 8 p.m. The entry queue begins 10 minutes before the start of your session. Admission remains free, with the last entry one hour before closing. You may arrive at any point in your reservation, but please note that admission is subject to total gallery capacity.

A visitor walks into the museum.

Creating an account

If you are a new user, select “guest” and enter your information to create your account.

Not sure if you already have an account?

The museum is part of a campus-wide, secure ticketing platform along with the Gogue Performing Arts Center, the Department of Music and the Department of Theatre. You may already have an account if you have purchased or reserved a ticket for a performance at any of the other venues or are an Auburn employee or student. Faculty, staff and students may enter the enterprise account used to access many university systems, such as AUAccess.

Completing your registration

  • Enter the quantity in the dialogue box next to “JCSM Registration” and click continue.
  • Next, you will verify the number of tickets in your shopping cart and click continue.
  • Review your shopping cart and click continue.
  • On the delivery details page, select “email” and continue.
  • Next, you may update your billing contact info if you choose. As this is a free registration, you will not be charged and you will not enter payment information.
  • Click “buy” to complete your transaction. Note that the amount of the transaction is $0.00.

Receiving your confirmation

The system will send a confirmation to the email on file, with a PDF ticket attached and a link to Apple Wallet included. You may print and bring a physical ticket, present the e-ticket on your smart device or download it to your Apple Wallet. Android users should install PassWallet onto your device before clicking to download.

If you are a current museum supporter, you may also have a digital supporter card in your digital wallet. Your digital supporter card is used to redeem Museum Shop discounts and reciprocal perks may be presented for admission, provided that the museum is not at total capacity for gallery occupancy.

Plan your visit

Museum and university administrators have adopted operational plans in response to COVID-19. For museum-specific guidelines, visit our FAQ page. For the latest from Auburn University, go to the “A Healthier U” website.

Contact us for additional help

For assistance, please call 334.844.1484 or email our visitor services associates.

Profile of a woman.

#MuseumFromHome: Mucha Coloring Pages

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Today, TV and film actors use a wide variety of ways to promote their latest movie or product; but did you know that Alphonsa Mucha was the favorite artist of one of France’s leading ladies, highlighting her plays with vibrant posters? These ads ushered in a new artistic movement called Art Noveau.

Mucha was a world-famous painter, illustrator, jewelry designer and graphic artist. His signature style used twisting lines and subtle colors, flowing hair, halos and mosaic designs.

Thanks to The Mucha Foundation, you can use your own creativity to color in works of art. Then, come explore the real thing in our latest exhibition. Mucha is one of five masters presented in “L’Affichomania; The Passion for French Posters,” on view through Sunday, Jan. 3, 2021.

IMAGE RIGHT: Alphonse Mucha, “Princess Hyacinth,” 1911, color lithograph. Photograph by John Faier. © 2015 The Richard H. Driehaus Museum.

HEADER IMAGE: Alphonse Mucha, “Zodiac,” 1896, color lithograph on silk.Photograph by John Faier. © 2015 The Richard H. Driehaus Museum.

L’Affichomania: The Passion for French Posters was organized by The Richard H. Driehaus Museum and is toured by International Arts & Artists, Washington, DC.

An actress portrays Princess Hyacinth seated on her throne.
A photograph of a woman lying in the grass.

Aug. 19 is World Photography Day

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Shutterbugs rejoice! World Photography Day celebrates the science, history art and craft of photography. Explore a sampling of works from our impressive collection of prints, which also includes works by Diane Arbus, Gordon Parks, Robert Mapplethorpe and Andy Warhol, among others.

An oriole tends to a nest.

Museum staff conserve Audubon collection

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With more than 100 prints, the Louise Hauss and David Brent Miller Audubon Collection is one of the southeast’s finest and a cornerstone of the Jule Collins Smith Museum of Fine Art at Auburn University. Many of the works are hand-colored, and as works on paper, they are fragile and especially susceptible to light, whether from the sun or artificial sources.

To provide the utmost care and to extend the life of the pieces for as long as possible, museum staff implemented gallery improvements while closed. Now, a new motion-activated light sensor system leaves the gallery dark until someone walks in, and modified gallery doors limit further exposure. Preparators also are using an even higher value UV protective glazing in the framing process. These measures reflect the university’s stewardship responsibilities and allow curators to exhibit these and other Audubon prints on a more regular basis. A new exhibition, “Nurture: Audubon’s Nesting Imagery,” is now on view.

Underground Images

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This selection of posters, 1973–2018, is from the wide array conceived at the School of Visual Arts for display in the vast New York City subway system. As part of an ongoing promotional and social engagement initiative, they offer a glimpse of the history of the college and the collective talent of some of its acclaimed female design, illustration and photography faculty.

Considered chronologically, more than four decades of vivid graphic design emerge from the discrete lens of women creators. Many of the posters also reflect the artists’ interests and cultural backgrounds, as in Louise Fili’s 2011 and 2016 pieces, which are predominantly typographical, or Yuko Shimizu’s designs that overtly meld in her Japanese heritage. Eye-catching and often imbued with social messages, the works are marked by optimism and an invitation for creativity, encouraging the viewer to “Fly Higher” and “Make It Here.”

The School of Visual Arts in New York has been a leader in the education of artists, designers and creative professionals for seven decades. With a faculty of distinguished working professionals, a dynamic curriculum and an emphasis on critical thinking, SVA is a catalyst for innovation and social responsibility. Comprising 6,000 students at its Manhattan campus and nearly 38,000 alumni in 75 countries, SVA also represents one of the most influential artistic communities in the world. SVA Executive Vice President Anthony P. Rhodes, creative director for the posters since 2007, curated a larger exhibition of these posters, and the museum is grateful to him and SVA for this collaborative project. Special thanks as well to Carlton Nell, professor in the School of Industrial and Graphic Design at Auburn University, for helping to bring this exhibition to the museum.

All posters © 2020 Visual Arts Press, LTD.

A woman sitting on a stoop gestures in this black and white photograph.

Collection Spotlight: Lisette Model

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Can a photograph capture a personality? Lisette Model’s “Lower East Side (woman), New York”  is on her stoop in mid-sentence, gesturing to the passersby below. Model found inspiration on the streets and in the faces of the city’s celebrities, entertainers and average citizens, which she captured candidly in their unguarded moments. To whom do you think she is talking? What kinds of things has she seen and heard?

Years later, Model learned more about her subject. Her granddaughter described her the woman as a loving, Romania-born widow with nine children. She worked day and night at a little store in front of her apartment. The photographer recounted in a 1979 interview how she gifted a copy to the family, who had a party to unveil the photo with family and friends. “People came in and said yes that’s her,” explained Model. “and you see that it is when the real people see it, not other people who will say what kind of a grotesque monster did you photograph here. That was not what I photographed. I knew that this woman was a great personality, and so were many others.”

A woman sitting on a stoop gestures in this black and white photograph.

ca. 1942
Consolidated Medium
Gelatin silver print
Museum purchase with funds provided by William Dunlop Family Foundation
2016.02

#MuseumFromHome: Foil Coils

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April 2020 marks the 50th anniversary of Earth Day. For our weekend family art activity, we’re inspired by upcycling and art that is green. Not the color, of course!

Janet Nolan made fantastic sculptural installations using materials that people would normally throw away, such as soda cans, bottle caps and broken umbrellas. Many important museums exhibit her work and even have her art in their collection, including JCSM. She also presented in a famous store in New York City, Bloomingdales.

When you look at her artwork here, how do you feel? Do you giggle? How do ordinary things seem now? Are you thirsty!?

Give objects in your home a second look. What can be transformed into art? Check out a step-by-step guide to recreating your interpretation of Nolan’s piece “Can Can.”

What You’ll Need

Help from a grownup

Aluminum foil

Scissors

Pencil

Small cylinder (empty toilet paper or paper towel rolls work great!)

Ruler (optional)

Art project materials, including scissors, pencil and foil.

Instructions

Tear a piece of foil that is about one foot long.

Using a pencil, mark lines on your foil.

Divide the foil into strips that are about two inches wide. A ruler is helpful, but not necessary.

Experiment with different widths and estimates.

Mark off sections of aluminum foil with a pencil.

Carefully use scissors to cut along your lines.

Ask a grownup for help because foil is sharp around the edges.

Aluminum foil cut into thin strips.

Combine three to four sheets of foil strips, stacking them on top of one another and folding the edges.

This gives your coil a better shape.

Aluminum foil wrapped around a ruler to give it a rectangular shape.

Be very careful as to not run your fingers along the sharp edges of the foil.

A ruler is very helpful for this step.

Detail of ends of aluminum foil rectangle.

If you have permanent or metallic markers, decorate your foil strips. What kind of patterns can you make with different shapes?

Draw a variety of abstract shapes on aluminum foil to create a pattern.

Roll your strips around your cylinder, and voila! You have your very own foil coils and green art project.

Decorated aluminum foil wrapped around an empty paper towel roll.

Once you are done, share your work with others to show them how you transformed recycled materials into art. Make a bunch of them! Maybe even ask a grownup to temporarily hang them to the wall with painter’s tape. Post to social media and tag us. We’d love to share your creation online @JCSMAuburn for a #MuseumFromHome.

A coil of aluminum foil decorated as an art project for children.
Members of the Samford String Quartet

Samford Strong Quartet performs standards, Appalachian, sacred and new music

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Jule Collins Smith Museum of Fine Art presents A Little Lunch Music with the Samford String Quartet on Thursday, Nov. 8 at Noon. Violinists Jeffrey Flaniken and Caroline Nordlund, violist Angela Marshall Flaniken, and cellist Samuel Nordlund will perform standard quartet literature, contemporary, Appalachian music, and sacred music. A gift from Friends of the Series has helped to make this performance possible.

The café menu is available online.

Samford String Quartet

Since the group’s inception in 2011, members of the SAMFORD STRING QUARTET have enjoyed performing around the nation and the world with concerts in England, France, the Dominican Republic, and a successful Carnegie Hall recital in 2016. The quartet is part of the Division of Music in Samford University’s School of the Arts. In response to the ensemble’s premiere concert, The Birmingham News extolled its “finely blended sound” and “rhythmic energy,” adding, “This quartet is on a fast track to putting Samford and Birmingham on the chamber music map.” In addition to performing standard quartet literature, the quartet’s repertoire includes very new music, Appalachian music, and sacred music. In the spring of 2016, they presented the world premiere of Joel S. Davis’s first string quartet, “Vespers.”

The Samford String Quartet is made up of two married couples, having previously held positions in major symphony orchestras, performed and taught at music festivals, and performed as recitalists. As professors at Samford, they work closely with students in applied lessons, chamber music, orchestral studies and pedagogy, giving concerts on campus and collaborating with School of the Arts faculty. They have taken the initiative to play for thousands of students in schools across the United States, interacting with the students through performances, teaching and masterclasses. The group was launched through a generous endowment from Drs. Wilton and Victoria Bunch who love music and love Samford University. The school, founded in 1841, is a private university located in a suburb of Birmingham, Alabama.

Consider the power of art with For Freedoms

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The Jule Collins Smith Museum of Fine Art at Auburn University is proud to be one of many distinguished arts organizations throughout the country participating in the momentous For Freedoms 50 State Initiative. Founded by artists Hank Willis Thomas and Eric Gottesman, For Freedoms was inspired by Norman Rockwell’s 1943 paintings of the four universal freedoms articulated by Franklin Delano Roosevelt in 1941—freedom of speech, freedom of worship, freedom from want, and freedom from fear.

The museum is actively participating in For Freedoms through the display of four works of art from its permanent collection. The works will be identified with special gallery signage and the For Freedoms logo, prompting visitors to consider the power of art in the context of a democracy. In addition to the artworks on display, two programs in the Community Films and Conversations series will be branded as For Freedoms initiatives and will include voter registration opportunities hosted by the League of Women Voters of East Alabama.

Logo For Freedoms 50 State Initiative
Leopoldo Méndez The Revolutionary, 1946 Linocut Jule Collins Smith Museum of Fine Art, Auburn University; Robert B. Ekelund Jr. and Mark Thornton Collection

Freedom of Speech

The title of this print is “The Revolutionary.”

  • What do you assume about the action in this scene?
  • Where is the viewer placed in relation to the young man?
  • How is holding his body? Think about his shoulders, chest, and chin
  • Describe the expression on his face.

Leopold Méndez, The Revolutionary, 1946, Linocut, Jule Collins Smith Museum of Fine Art, Auburn University, The Robert B. Ekelund and Mark Thornton Collection.

Freedom from Fear Christina Cordova (American, b. 1976) Mi Familia, 2010 ceramic and metal wire Jule Collins Smith Museum of Fine Art at Auburn University Museum purchase with funds from the 1072 Society

Freedom from Fear

Our first feelings of security come from our relationships with our families.

  • Think about how the figures are arranged?
  • What besides the title suggests that this group is a family?
  • How do the people feel? How do you know?
  • What might the metal birds represent?

Christina Cordova, Mi Familia, 2010, ceramic and metal wire, Jule Collins Smith Museum of Fine Art, Auburn University, Museum purchase with funds from the 1072 Society.

Seated Figure of Gautama Buddha China, Ming Dynasty, Yongle era, 1403 – 1425 Gilt bronze Jule Collins Smith Museum of Fine Art at Auburn University. The Joan Cousins Hartman Collection of Tibetan Bronzes.

Freedom of Worship

Inscribed on the top of the lotus platform is “Da Ming Yunglo nien shi,” or “Done (or donated) in the Yongle era of the Great Ming Dynasty).” This sculpture was sent from the Ming court as an offering to a ranking member of the Buddhist religious community in Tibet. The reason this sculpture and other Tibetan religious artifacts came into personal and public collections in the mid-twentieth century is that the Chinese People’s republic annexed Tibet in 1950 and began a systematic suppression of Tibetan culture and Buddhist practice. Temples and monasteries were destroyed, and many deconsecrated religious artifacts came onto the art market. This object is an essential example of the importance of JCSM’s mission to preserve, enhance, research, and interpret works of art in our collection. The Buddha, situated on a lotus platform, reaches down with his right hand to touch the ground. This gesture is recognized in Tibetan Buddhist iconography as an invocation for the earth deity to bear witness to his awakening.

  • What parts of the sculpture convey spirituality and enlightenment?
  • Think about the material, texture, and composition of the object, the pose of the figure, and the facial features of the Buddha.
Installation of Ben Shahn's Hunger from Art Interrupted exhibition, 2012

Freedom from Want

  • How did the artist convey the child’s need?
  • Think about the implied position of the viewer, the prominence of the boy’s hand, the treatment of his face and neck, and the use of color.

Ben Shahn, Hunger, 1946, gouache on composition board, Jule Collins Smith Museum of Fine Art, Auburn University, Advancing American Art Collection.

Alabama institutions also participating in For Freedoms include Alabama Contemporary Arts Center (Mobile), Birmingham Public Library, Birmingham Museum of Art, Coleman Center for the Art (York), Institute for Human Rights (University of Alabama Birmingham), Mobile Museum of Art, Montgomery Museum of Fine Arts, Paul r. Jones Museum of Art at University of Alabama Tuscaloosa, and Wiregrass Museum of Art (Dothan). Visit FORFREEDOMS.ORG for full details.

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