Elizabeth M. Webb and Joy Harjo in conversation at the Auburn Forum for Southern Art and Culture, a symposium organized by The Jule Collins Smith Museum of Fine Art at Auburn University on February 3, 2024.
Joy Harjo, the 23rd Poet Laureate of the United States, is a member of the Muscogee (Creek) Nation.
Elizabeth M. Webb’s exhibition “a bearing tree is a witness; an oak is an echo” is currently on view at The Jule as part of the series “Radical Naturalism” through July 7, 2024.
Walter Hood talks about growing up in North Carolina and how he approaches painting in his creative practice. His exhibition “Arc of Life/Ark of Bones” opens on January 23, 2024, at The Jule Collins Smith Museum of Fine Art at Auburn University. The exhibition features a new series of paintings that recall memories from the first ten years of his life.
Walter Hood is the creative director and founder of Hood Design Studio in Oakland, California. He is also Chair and Professor of Landscape Architecture & Environmental Planning and Urban Design at the University of California, Berkeley
Sam Moyer talks about her exhibition “Memory Mine” at The Jule with Laura Sitterly ’23. Centering the exhibition on Alabama’s richness in natural resources and regional artists’ contributions, Moyer creates sculptures and paintings from one natural marble boulder mined in Sylacauga, Alabama.
Charlotte Hendrix reads excerpts from “The Art Bargain of the Century” an unbelievable saga of how Auburn University purchased 36 controversial masterpieces and opened a world-class art museum for the 21st century, published in the Fall 2023 issue of Auburn Magazine.
Students in courses, Sculpture as Space and Themes in Contemporary Sculpture at Auburn University, led by Associate Professor Kristen Tordella-Williams, researched and proposed contemporary monuments in response to the exhibition Monuments and Myths: The America of Sculptors Augustus Saint-Gaudens and Daniel Chester French. The students researched, proposed, and built maquettes of future monuments that fill in historical gaps and celebrate marginalized communities and spaces.
For the Spring 2023 semester, Auburn University students across four disciplines worked with The Jule to explore themes related to the exhibition Monuments and Myths: The America of Sculptors Augustus Saint-Gaudens and Daniel Chester French. Throughout the semester, students visited the museum, discussed the exhibition alongside contemporary conversations around monuments, and engaged with curators from Chesterwood and Saint-Gaudens National Historical Park, the historic homes, and studios of French and Saint-Gaudens.
Below are essays from students in one of the courses under the direction of associate professor Elijah Gaddis, Department of History, College of Liberal Arts.
Alabama’s monuments offer ways to remember and pasts to forget. Their origin stories are complex tales of local negotiation, regional trends, and shared national values. But their messages aspire to simplicity. These essays, from the course, Museum Practicum, taught by Associate Professor Elijah Gaddis, are about Alabama monuments and the histories they reveal and conceal. As a compilation, they serve as a selective primer to accompany the Monuments and Myths: The America of Sculptors Augustus Saint-Gaudens and Daniel Chester French exhibition that will help you explore Alabama’s memorial landscape with new eyes and questions.
—Museum Studies Practicum Students
Dr. Elijah Gaddis
Conversation about the project “Indecent Spaces” with Jonah Bokaer, Hala Shah, and Isaiah João at the Jule Collins Smith Museum of Fine Art at Auburn University.
“Indecent Spaces” is a project from the creative teams of Jonah Bokaer Choreography, Partner–In–Charge Charles Renfro of Diller, Scofidio + Renfro – DS+R, and Isang Yun, interpreted by violinists Angela & Jennifer Chun.
Born in part of the COVID–19 pandemic, Indecent Spaces is a multi–channel performance art and media piece exploring connections between a location’s meaning, citizenship and identity in the evolving 21st–century American landscape. Though today’s climate may seem to some removed from patriotic origins and idyllic intent, the collaborators’ examination reveals forgotten voices and bodily impact ever present through our nation’s history — aspirations of a more perfect union, albeit a complex one
The Jule achieved national reaccreditation and much more in 2022 as a campus resource serving students, faculty and the community. Discover the impact on instruction, research and outreach in the pages within.
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Gamaliel Rodríguez talks about his artwork installed as part of the opening of Auburn’s Research and Innovation Campus in Huntsville, Alabama. Opened in October, 2022, the facility features a temporary installation of objects from the Jule Collins Smith Museum of Fine Art at Auburn University. Gamaliel Rodríguez, a U.S. Army veteran who uses felt and ballpoint pens to create photorealistic aerial views of industrial, military and civilian structures, is the first commissioned artist in this cross-campus partnership between the museum and Auburn’s Samuel Ginn College of Engineering.
Rick Barot, poet and Professor of English at Pacific Lutheran University, talks about creative writing, poetry, and ways of reading works of art at the Jule Collins Smith Museum of Fine Art at Auburn University.
View the painting “Las Meninas” by Diego Velázquez:
www.museodelprado.es/en/the-collect…b-edee94ea877f
View work by RaMell Ross:
jcsm.auburn.edu/exhibitions/spell-ross/
Monday: Closed to the public
Tuesday through Sunday 10 a.m. to 4:30 p.m.
Extended hours on Thursday until 8 p.m.
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VIA THE FINE ARTS LINE
JULE COLLINS SMITH MUSEUM OF FINE ART
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