Brighton McCormick
Fully Furnished, 2019
Collected, disassembled, transmuted furniture, paint
14’x10’x10′
ARTIST STATEMENT:
I am a maker. A maker of objects, images, spaces, sounds, reflections, sentences and mistakes. My heavily material based practice incorporates handcrafted objects, 2D images, as well as sound and video typically resulting in installed environments. I often combine various mediums, but the resulting works live in the domain of sculpture. Utilizing experimental casting techniques for metal and clay I fossilize memories and reflections of everyday moments and formed ideologies. Philosophical inquiry guides my studio decisions while also developing my character. Drawing heavily on my personal experiences ofAmerican culture I create atmospheres for the viewer to reflect and question ideas about our society and themselves.
Wisdom of a process gained over time, development of a muscle memory, and an intimacy with a tool or material changes the source and scope of knowledge.Through this way of working and learning both the head and hand are engaged in the development of tacit knowledge. Within my practice I’m processing how the marks and memories of our personal pasts are insidious to who we become.I’m seeking to understand how individual identity development has led to increasing polarization. By creating or recontextualizing furniture and other domestic objects my work reconsiders our remembered histories. Remnants of process and everyday items are repurposed and function as an archive of what hey once were and what they once meant. In the making of craft objects historically viewed as women’s work through processes typically assigned to male labor, I question both the place of skilled craft and gendered work in our modern society.
