A melon baller and bottle opener posed as people; a glove with two fingers walking

Everything from squashed aluminum cans to plastic packaging finds its way into the work of Janet Nolan (B.V.A., 1968). As a young girl in Montgomery, Alabama she absorbed the aesthetic of repurposing objects into new contexts from a beloved uncle who reconstructed ”everyday broken things into useful objects; like old metal coffee pots into lamps with colander shades.”

Inspired by Louise Bourgeois’ feminist perspective and Robert Rauschenberg’s assemblages, Nolan began sculpting with broken umbrellas she collected from Manhattan streets after a thunderstorm in 1976. Nolan’s art-colorful, playful and thought-provoking has been exhibited at universities, art centers, galleries, museums and corporate headquarters across the nation. Cheerfully, Nolan asks us to shift our expectations of redemption, recycling, rescue and revival.

A melon baller and bottle opener posed as people; a glove with two fingers walking

(L to R)

I Do, 1995
Kitchen utensils, glass case, painted wood
Gift of the artist’s estate

Cruella, 2000
Fur and suede glove, wood base,
glass dome
Gift of the artist’s estate

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