A construction worker sits on unfinished stairs.

In June 2020, our collection spotlight explores permanent collection photography. As June is Pride Month, our first selection is a work by American photographer Chad States.

What do you first notice about this person? What details are provided, given the location? The subject met the artist through an online post, seeking people who identify as masculine for personal portraits.

In his series “Masculinities,” States photographed a variety of people in settings and poses that expressed their sense of this concept. One participant, Dex, commented, “I’d say I’m masculine because of how I feel inside, who I am, and how I carry myself. In a lot of ways my masculinity is tied to my male gender role and how I want to project that and be perceived by others.” A transgender man, Dex chose to be photographed in a stereotypically male setting related to construction.

How does this make you think differently about your view of others?

From the 2018 practicum, “Dignity and Diversity: Portraits from the Permanent Collection,” curated by Honors Introduction into Art History students.

A construction worker sits on unfinished stairs.

Dex, 2007
Archival pigment print
Jule Collins Smith Museum of Fine Art, Auburn University; William Dunlop Collection

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